Differenze tra le versioni di "Radius/en"

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(16 versioni intermedie di 2 utenti non mostrate)
Riga 1: Riga 1:
 
<noinclude>[[File:Radius-Logo.svg|center|300px|Logo Radius]] The [[Radius]] brand is the one which is known for the highest quality [[SAFIS]] production, and is usually identified with this company. It was joined by the [[Astura]] brand, used for the second tier production. Though less known, it is the production of one of the most important Italian companies, and [[Radius]] pens, like its predecessors [[The King]], are, at least for the production that took place in the golden age of company, of highest quality and have nothing to envy to the production of the most famous italian companies like [[OMAS]] or [[Aurora]].  
 
<noinclude>[[File:Radius-Logo.svg|center|300px|Logo Radius]] The [[Radius]] brand is the one which is known for the highest quality [[SAFIS]] production, and is usually identified with this company. It was joined by the [[Astura]] brand, used for the second tier production. Though less known, it is the production of one of the most important Italian companies, and [[Radius]] pens, like its predecessors [[The King]], are, at least for the production that took place in the golden age of company, of highest quality and have nothing to envy to the production of the most famous italian companies like [[OMAS]] or [[Aurora]].  
  
With the competition due to the gradual spread of the ballpoint pen on the market, the quality of the production, especially in the last years of the company, got much worse, but after the war, the [[Radius]] has continued to produce good quality celluloid pens until the '50s, and the production of this brand is still of great interest collezionistico.{{Infobox_Brand|Radius}}
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With the competition due to the gradual spread of the ballpoint pen on the market, the quality of the production, especially in the last years of the company, got much worse, but after the war, the [[Radius]] has continued to produce good quality celluloid pens until the '50s, and the production of this brand is still of great interest collezionistico.{{Infobox_Brand|Radius}}{{BrandData|Place=Torino|Country=IT|MainBrand=SAFIS|Fullname=Società Anonima Fabbrica Italiana Stilografiche}}
 
== History ==
 
== History ==
 
</noinclude>Around [[1934]] ''"The King Società Anonima Torino"'' was renamed in ''"Società Anonima Fabbrica Italiana Stilografiche"'', because of the policies of forced Italianisation of names carried out by the fascist regime,<noinclude><ref>Letizia Jacopini in his book ''La storia della stilografica in Italia'', reports the testimony of Bruno Milocani and Emilio Pionzo indicating the shift of production from [[The King]] to [[Radius]] around [[1935]] right for this reason.</ref></noinclude> which made it unattractive to use an English name. It is not known when the first pens [[Radius]] appeared on the market, and at the moment the only certain date is that of the trade mark registration ({{Marchio|50489}}) which occurred in [[1934]] by the new company, which is why we take this year as its starting date.
 
  
 
[[Image:Radius-Extra-Piston-Instr.jpg|thumb|A '50s [[Radius Extra]] instruction sheet.]]
 
[[Image:Radius-Extra-Piston-Instr.jpg|thumb|A '50s [[Radius Extra]] instruction sheet.]]
  
The [[Radius]] initial production was divided in two lines: the [[Radius Superior|Superior]] for the more valuable high-end pens and more valuable, and the [[Radius Extra|Extra]] for second tier pens sold at lower prices. The [[Radius Superior|Superior]] line remained in production, with different stylistic and technical changes, including the implementation of [[Radius Superior Trasparente|Trasparente]] version, until the '50s, while the [[Radius Extra|Extra]] line was decommissioned in the late '40s, replaced by other economic production, such as the [[Comet]] and the [[Radius 31]], [[hooded nib]] models of much lower quality than its predecessors.
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</noinclude>Around [[1934]] ''"The King Società Anonima Torino"'' was renamed in ''"Società Anonima Fabbrica Italiana Stilografiche"'', because of the policies of forced Italianisation of names carried out by the fascist regime,<noinclude><ref>Letizia Jacopini in his book ''La storia della stilografica in Italia'', reports the testimony of Bruno Milocani and Emilio Pionzo indicating the shift of production from [[The King]] to [[Radius]] around [[1935]] right for this reason.</ref></noinclude> which made it unattractive to use an English name. It is not known when the first pens [[Radius]] appeared on the market, and at the moment the only certain date is that of the trade mark registration ({{Marchio|50489}}) which occurred in [[1934]] by the new company, which is why we take this year as its starting date.
  
 
[[File:Radius-Superior-Faceted-Lever-Big-StriatedGray-Capped.jpg|thumb|left|A [[Radius Superior]]]]
 
[[File:Radius-Superior-Faceted-Lever-Big-StriatedGray-Capped.jpg|thumb|left|A [[Radius Superior]]]]
  
[[Astura]] brand production was instead purely dedicated to the economical level and saw an huge variety of diffeerent [[Modelli Astura|models]] made with the most different filling systems and the most varied forms, in a sort of trial both technical and stylistic.  
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The [[Radius]] initial production was divided in two lines: the [[Radius Superior|Superior]] for the more valuable high-end pens and more valuable, and the  [[Radius Extra|Extra]] for second tier pens sold at lower prices. The [[Radius Superior|Superior]] line remained in production, with different stylistic and technical changes, including the implementation of [[Radius Superior Trasparente|Trasparente]] version, until the '50s, while the [[Radius Extra|Extra]] line was decommissioned in the late '40s, replaced by other economic production, such as the [[Comet]] and the [[Radius 31]], [[hooded nib]] models of much lower quality than its predecessors.
  
The production is dated to the period from the 30s to mid 50s. Although clearly low-end pens, there are particularly interesting models like the versions with a special vacuum filling system, made of transparent celluloid.  
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In the '50s in fact (at least so it appears in [[:Category:Catalogo-Tentardini-195x|this catalog]]) the [[Radius Superior|Superior]] line, which in the meantime had taken on ogival lines following the stylistic trends of the period, was flanked by cheaper models such as the [[Comet]] (with a winged nib very similar to that of the [[Montblanc 25x]]) and the [[Radius 31]], a model with [[hooded nib]] of much lower quality than its predecessors. In the same catalog we note the presence of an additional model, the [[Fortune 38]], a clear imitation of the [[Pelikan 400]].<noinclude>
  
[[Astura]] brand production of the '30s and '40s is extremely varied, with a production oriented towards economic pens with wide distribution, made in ​​numerous variants of finishes, shapes and colors. In the '50s, with the crisis caused by the advent of disposable ballpoint pens, were produced ever cheaper and low quality models.<noinclude> [[Astura]] production seems to be terminated in the second half of the 50s, like the [[Radius]] one, likely due to the cessation of the activities of the parent company [[SAFIS]], probably take out of the market by the success of the ballpoint pen. But there is no reliable documents or specific details for the cessation of activities.
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There is no known date of termination of production under the [[Radius]] brand, but it is placed in the second half of the '50s (but certainly later than [[1956]], appearing [[SAFIS]] in [[:File:1956-Annuario-General-Industria-Stilografiche-A.jpg|this yearbook]] of that year) considering it concomitant with the cessation of activities of the parent company, which was probably put out of business by the success of ballpoint pens. However, there are no reliable documents or precise indications about the cessation of activities.<noinclude>
  
 
{{BrandChrono|Radius}}
 
{{BrandChrono|Radius}}
  
 
==External references==
 
==External references==
* http://www.pentrace.net/article112900028.html
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* [https://web.archive.org/web/20101127234410/http://www.pentrace.net/article112900028.html] Article on PenTrace
* http://web.archive.org/web/20050125011331/http://www.fortunecity.it/lunapark/eventi/71/w12.html
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* [https://web.archive.org/web/20050125011331/http://www.fortunecity.it/lunapark/eventi/71/w12.html] Article, first part
* http://web.archive.org/web/20011122230744/http://www.fortunecity.it/lunapark/eventi/71/w13.html
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* [https://web.archive.org/web/20011122230744/http://www.fortunecity.it/lunapark/eventi/71/w13.html] Article, second part
 
==Notes==
 
==Notes==
 
<references/>
 
<references/>

Versione attuale delle 01:07, 31 gen 2022

Logo Radius

The Radius brand is the one which is known for the highest quality SAFIS production, and is usually identified with this company. It was joined by the Astura brand, used for the second tier production. Though less known, it is the production of one of the most important Italian companies, and Radius pens, like its predecessors The King, are, at least for the production that took place in the golden age of company, of highest quality and have nothing to envy to the production of the most famous italian companies like OMAS or Aurora.

With the competition due to the gradual spread of the ballpoint pen on the market, the quality of the production, especially in the last years of the company, got much worse, but after the war, the Radius has continued to produce good quality celluloid pens until the '50s, and the production of this brand is still of great interest collezionistico.

Radius
Brand pages
Brand advertising
Brand photos
Instructions sheet

History

A '50s Radius Extra instruction sheet.

Around 1934 "The King Società Anonima Torino" was renamed in "Società Anonima Fabbrica Italiana Stilografiche", because of the policies of forced Italianisation of names carried out by the fascist regime,[1] which made it unattractive to use an English name. It is not known when the first pens Radius appeared on the market, and at the moment the only certain date is that of the trade mark registration (Reg. Gen. N. 50489) which occurred in 1934 by the new company, which is why we take this year as its starting date.

The Radius initial production was divided in two lines: the Superior for the more valuable high-end pens and more valuable, and the Extra for second tier pens sold at lower prices. The Superior line remained in production, with different stylistic and technical changes, including the implementation of Trasparente version, until the '50s, while the Extra line was decommissioned in the late '40s, replaced by other economic production, such as the Comet and the Radius 31, hooded nib models of much lower quality than its predecessors.

In the '50s in fact (at least so it appears in this catalog) the Superior line, which in the meantime had taken on ogival lines following the stylistic trends of the period, was flanked by cheaper models such as the Comet (with a winged nib very similar to that of the Montblanc 25x) and the Radius 31, a model with hooded nib of much lower quality than its predecessors. In the same catalog we note the presence of an additional model, the Fortune 38, a clear imitation of the Pelikan 400.

There is no known date of termination of production under the Radius brand, but it is placed in the second half of the '50s (but certainly later than 1956, appearing SAFIS in this yearbook of that year) considering it concomitant with the cessation of activities of the parent company, which was probably put out of business by the success of ballpoint pens. However, there are no reliable documents or precise indications about the cessation of activities.

Chronology

Year Event
1934 SAFIS register the Radius trademark (Reg. Gen. N. 50489)
1935 the company introduces the Radius Extra (guess date, stands for the mid '30s)
1941 the company introduces the Radius Extra Trasparente (guess date, stands for the beginning of '40s)
1941 the company introduces the Radius Superior Trasparente (guess date, stands for the beginning of '40s)

External references

  • [1] Article on PenTrace
  • [2] Article, first part
  • [3] Article, second part

Notes

  1. Letizia Jacopini in his book La storia della stilografica in Italia, reports the testimony of Bruno Milocani and Emilio Pionzo indicating the shift of production from The King to Radius around 1935 right for this reason.