Differenze tra le versioni di "Saratoga/en"

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They were high quality models, with bicolor gold nib and an arrow clip very similar the [[Parker]] one (but with a  flat terminal part, as mentioned in the mark), which had a good success. The two higher-end models,  ''[[Saratoga Maxima|Maxima]]'' and ''[[Saratoga Medium|Medium]]'' are essentially identical and differ only in size. The model ''[[Saratoga Standard|Standard]]'' is less valuable, and in the '40s was also marketed under the brand ''[[Inco]]'' ({{Marchio|63398}}, also registered by Mengoni) that was also used for the inkwells.
 
They were high quality models, with bicolor gold nib and an arrow clip very similar the [[Parker]] one (but with a  flat terminal part, as mentioned in the mark), which had a good success. The two higher-end models,  ''[[Saratoga Maxima|Maxima]]'' and ''[[Saratoga Medium|Medium]]'' are essentially identical and differ only in size. The model ''[[Saratoga Standard|Standard]]'' is less valuable, and in the '40s was also marketed under the brand ''[[Inco]]'' ({{Marchio|63398}}, also registered by Mengoni) that was also used for the inkwells.
  
Agli inizi degli anni '40 la società fra Webber e Mengoni si sciolse, presumibilmente alla fine del [[1941]], quando Webber registrò a suo nome il marchio [[Saratoga]] ({{Marchio|64297}}), in precedenza registrato insieme a Mengoni, ed ebbe anche termine la produzione delle penne da parte di [[Omas]]. Edoardo Russo Webber continuò a produrre stilografiche, affidandosi a produttori di minor pregio con un corrispondente calo di qualità delle penne. Nel dopoguerra produsse altre penne, marcate ''Saratoga-Webber'', con [[caricamento a stantuffo]]. La produzione andò avanti con modelli a [[pennino coperto]], chiara imitazione delle [[Parker 51]], molto simili agli analoghi prodotti della [[Radius]]. Esistono tracce dell'uso del marchio [[Saratoga]] almeno fino al 1973 nel rinnovo della registrazione dello stesso.
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In the early 40's the company between Webber and Mengoni broke up, presumably at the end of [[1941]], when Webber recorded under his own name the [[Saratoga]] brand ({{Marchio|64297}}), formerly registered with Mengoni, and was also dismissed the production of the pens by [[OMAS]]. Edoardo Russo Webber continued to produce fountain pens, relying on manufacturers of lesser value with a corresponding reduction in the pens quality. After the war he produced other [[piston filler]] pens, marked  ''Saratoga-Webber''. The production went on with [[hooded nb]] models that were a clear [[Parker 51]] imitation, very similar to the analogous [[Radius]] products. There are traces of the use of the [[Saratoga]] trademark at least until 1973, in the renewal of the registration.
  
 
Anche [[Mengoni]] continuò una sua produzione di penne, marchiate in questo caso ''[[Saratoga's]]'', sempre di bassa qualità e rivolte al mercato economico, prodotte presumibilmente nel distretto di [[Settimo Torinese]], con stilofori e modelli con [[caricamento a stantuffo]]. L'attività proseguì fino al [[1957]], anno di chiusura delle attività della azienda di [[Mengoni]].  
 
Anche [[Mengoni]] continuò una sua produzione di penne, marchiate in questo caso ''[[Saratoga's]]'', sempre di bassa qualità e rivolte al mercato economico, prodotte presumibilmente nel distretto di [[Settimo Torinese]], con stilofori e modelli con [[caricamento a stantuffo]]. L'attività proseguì fino al [[1957]], anno di chiusura delle attività della azienda di [[Mengoni]].  

Versione delle 18:50, 8 nov 2014

Saratoga
Pubblicità marca
Foto marca

The birth of this company originates from the Edoardo Russo Webber activities, working in the Italian fountain pen market since 1916 as the Italian Parker dealer, and later also as the Astoria dealer, for which he registered the trademarks in Italy (Reg. Gen. N. 27479, Reg. Gen. N. 27562 and Reg. Gen. N. 27563). During the '30s the Parker exclusive concession was withdrawn for reasons not entirely clear (it's been suggested by a unauthorized production of Parker models in Italy, commissioned to OMAS), so he joined Virginio Mengoni, owner of a successful stationery store in Milan, creating the Saratoga brand, as resulting from the first registration note of the trademark in January 1941 (Reg. Gen. N. 63047) made in common with Mengoni and the use of a particular arrow clip whose form had been registered a few months later by Mengoni (Reg. Gen. N. 63465).

The initial Saratoga production was introduced to the market in 1936, [1] with three quality models, clearly inspired by the Parker Vacumatic, referred to as Maxima, Medium and Standard. The models used a filling system similar to the Vacumatic one, [2] they were made of semi-transparent celluloid, that someone is attributed to OMAS, being very similar to those used for the Minerva Classica models.[3]

They were high quality models, with bicolor gold nib and an arrow clip very similar the Parker one (but with a flat terminal part, as mentioned in the mark), which had a good success. The two higher-end models, Maxima and Medium are essentially identical and differ only in size. The model Standard is less valuable, and in the '40s was also marketed under the brand Inco (Reg. Gen. N. 63398, also registered by Mengoni) that was also used for the inkwells.

In the early 40's the company between Webber and Mengoni broke up, presumably at the end of 1941, when Webber recorded under his own name the Saratoga brand (Reg. Gen. N. 64297), formerly registered with Mengoni, and was also dismissed the production of the pens by OMAS. Edoardo Russo Webber continued to produce fountain pens, relying on manufacturers of lesser value with a corresponding reduction in the pens quality. After the war he produced other piston filler pens, marked Saratoga-Webber. The production went on with hooded nb models that were a clear Parker 51 imitation, very similar to the analogous Radius products. There are traces of the use of the Saratoga trademark at least until 1973, in the renewal of the registration.

Anche Mengoni continuò una sua produzione di penne, marchiate in questo caso Saratoga's, sempre di bassa qualità e rivolte al mercato economico, prodotte presumibilmente nel distretto di Settimo Torinese, con stilofori e modelli con caricamento a stantuffo. L'attività proseguì fino al 1957, anno di chiusura delle attività della azienda di Mengoni.

Riferimenti esterni

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Note

  1. for this date, such for other information, we refer to Letizia Jacopini book "La storia della stilografica in Italia".
  2. invented, according to Letizia Iacopini, by Nannelli, and purchased by Webber.
  3. ad usual there is no reliable documentation of such claim, which also lingers on many other productions.