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Also where there were no known specific traces of the name change, an ultimate proof of the coincidence of the two companies was obtained from the discovery of the "The King Superior" trademark registrastion (Reg. Gen. N. 38982) in 1928 by "Soc. Anonima Fabbrica Pennini King" and the renewal in 1946, with explicit reference to the previous record, on behalf of "Soc. An. Fabbrica Italiana Stilografiche". But Enrico de Muro found at the Turin Chamber of Commerce an official communication of the name change to SAFIS, approved by the shareholders' meeting on July 6, 1934. [1] For a long time one of the assumptions made about the origins of the brand The King had been to regard it as a production commissioned by the OMAS because of the similarity of some production, and the fact that the brand is mentioned as part of the products made ​​by the commission OMAS in the text "Stilografiche Omas dal 1925 ad oggi" published by the "Club Internazionale della Stilogragrafica A. Simoni".

A The King safety

The initial production marked The King consisted of excellent quality hard rubber safeties marked The King Superior, they were pens made ​​in the Waterman 42 style but with beautiful engraved clips. From the same period is also the production of overlay pens engraved with the mark on the edge of the cap, like the one shown in the image on the left. This initial production features original characters and cannot be attributed to the OMAS production. It's also known a production of lever filler models.

A link with OMAS is certainly evidenced by the "penna del dottore" marked The King shown in the side picture. It's possible, therefore, that some models, like the one shown, were produced to order and then rebranded. So it we have clear traces (as we shall see below) that link The King to OMAS is still totally unreliable the opposite hypothesis that would have been the The King/SAFIS to produce OMAS pens, since the company's foundation is later.

The later production were flat top models that as much of the Italian production of the time turn out to be clear imitations of the Parker Duofold. These models are still branded as The King Superior and produced in two sizes and five colors. Unlike Duofold there pens were equipped with an original twist filling system[2] which can be accessed by unscrewing the cap anyway. During this period the top model is the The King Diamond, featuring a cap with countersunk head decorated with a greek band.

This patent is a second point that bears witness of the presence, at least in early years, of a strong link with OMAS. The image of the filling mechanism used by these patented pens, present on the The King catalog found in the Omas archives and on this advertisement, is in fact identical to the one on an Armando Simoni patent (nº US-1784078), that in the French version appears to have been achieved in Italy in 1929. A further indication that somehow it was the OMAS to provide technology to the The King in the early years of this company. Around 1934 "The King Società Anonima Torino" was renamed in "Società Anonima Fabbrica Italiana Stilografiche", because of the policies of forced Italianisation of names carried out by the fascist regime, which made it unattractive to use an English name. It is not known when the first pens Radius appeared on the market, and at the moment the only certain date is that of the trade mark registration (Reg. Gen. N. 50489) which occurred in 1934 by the new company, which is why we take this year as its starting date.

A '50s Radius Extra instruction sheet.

The Radius initial production was divided in two lines: the Superior for the more valuable high-end pens and more valuable, and the Extra for second tier pens sold at lower prices. The Superior line remained in production, with different stylistic and technical changes, including the implementation of Trasparente version, until the '50s, while the Extra line was decommissioned in the late '40s, replaced by other economic production, such as the Comet and the Radius 31, hooded nib models of much lower quality than its predecessors.

Astura brand production was instead purely dedicated to the economical level and saw an huge variety of diffeerent models made with the most different filling systems and the most varied forms, in a sort of trial both technical and stylistic.

The production is dated to the period from the 30s to mid 50s. Although clearly low-end pens, there are particularly interesting models like the versions with a special vacuum filling system, made of transparent celluloid.

Astura brand production of the '30s and '40s is extremely varied, with a production oriented towards economic pens with wide distribution, made in ​​numerous variants of finishes, shapes and colors. In the '50s, with the crisis caused by the advent of disposable ballpoint pens, were produced ever cheaper and low quality models. After WWII the restrictions imposed by the fascist regime ended and the brand The King was taken up by the SAFIS, and re-entered the market with the production of quality fountain pens, substantially equivalent to the simultaneous production of Radius brand, but did not reach the level of excellence achieved over the initials years.

Postwar SAFIS activities seem to end in the second half of 50s, when the company was probably put out of business by the spread of disposable ballpoint pens. But there are no reliable documents about the cessation of the activity, the date of which is not precisely known.
  1. an image of the document is on the page dedicated to the company on the Enrico de Muro book "I marchi registrati delle Stilografiche Italiane".
  2. Letizia Jacopini reports in her book the n° 268827, but that's too similar to Columbus nº IT-268327 and on a sample (see this photo) there is imprinted the nº IT-4572-1929.